Gattu

Cast: Mohammad Samad, Naresh Kumar, Jayanta Das
Direction: Rajan Khosa
Genre: Drama
Duration: 1 hour 20 minutes

Story: An illiterate road boy has only one aspirations - to fly kites and leadership superior in the azure air. And he will convert around everything in his little globe to sequence his desire together.

Movie Review: So fulfill Gattu (Mohammad). A common road kid. Thinking of traveling sky-high. But no supersonic water airplanes or helicopters in his goals really. Like the popular seagull known as Jonathon Livingston, who only desired to fly greater and greater, what this inadequate, illiterate boy (living in small-town Roorkee) life for, is a sequence, a really vibrant colored, precious stone formed patang. And of course, some piece of cake to raise his mood and help his kite increase. The only power in his meager everyday living (living under an start ceiling, with tin percussion instruments for surfaces, and odd-jobs for a slight sum of Rs.20 a day) is his ability for traveling kites. Even his chachu's (Naresh Kumar), at periods, severe and tyrannical demands to perform for a residing don't reduce his blithe center. Actually, with a few cutely devilish attributes, effervescent power and dazzling sight, Gattu is a lovely center, always sunwashed with wish. He has only one issue - Kali! A strange dark patang (believed to do patang ka jaadu-tona), who has for many decades, beaten all other kites in city, and no one knows who is her expert. Our Mr. Smarty Half-pants who believes on his toes, understands that the only way to defeat Kali is to fly his kite from the greatest factor, which is the regional institution veranda. And he draws all 'strings', basically, to take on the 'black diamond' in the azure air. Even if this would mean coming into institution, acting to be 'Agent Gattu', hidden as a pupil, relaxing to chachu, developing a web of innovative experiences and tricks (of wafadar jasoos, aatankvadis, and barood) that results in everyone assured, thrilled and puzzled simultaneously. Appropriately, a thoughts of a kid is truly magical; all they need is sand to create a adventure. Or a hand-made kite to preserve the globe.
Mohammad Samad's efficiency is heart-warming, with wonder in his sight and lively purity he appeals to all your interest. His limited globe instantly reveals gates, and as he gets training on severity and benefits, technology and sach ji jeet, his huge sight glint with awe - like he's just identified ET on World.

Naresh Kumar performs his aspect well, as the austere chachu harrowed by Gattu's courage, who gradually touches and holds him.

Director Rajan Khosa has wisely created a kid's film (which has been praised in the event circuit) that truly passes across all age limitations. It slightly punches mild on powerful problems like kid uneducated and kid manual perform without screaming from terrace-tops or switching into a preachy docu-drama. In once the tale is simply easy, and in the other it's powerful enough to shift you, if not theatrically surprise you. It's oiled with a type of peculiar truth, yet, it results in you great power.

Gattu is a must-watch for kids of all age groups (read: grown-ups even more). And if you think you're too evolved for a kids film, go fly a kite. Maybe that's the actual issue with the globe, too many individuals mature too soon. We should just let the little your in us guideline the globe.

Challo Driver

Cast: Vickrant Mahajan, Kainaz Motivala, Prem Chopra, Manoj Pahwa Language: Hindi (U)
Direction: Vickrant Mahajan
Genre: Romantic Comedy
Duration: 1 hour 34 minutes

Story: A chauvinistic, almost rectal manager. A attractive alarm of a driver championing 'women's equality' and a guaranteed joyride that will move your equipment.

Review: She wants to go 'all the way'. He wants to take the back burner bet. But who requires whom for a ride? We 'dare' you to discover out. Because a 'dare' is the only factor that gets a increase out of the man in the back perspective. 'Driven' in top equipment by a attractive driver who prefers her side on the stick-shift and honking for the besides of it. Beep Beep!

Meet Tanya (Kainaz Motivala). An aaj ki naari - contemporary, separate, serious, with lots of mind-set and plenty of make-up. Her perfect job is to do something exclusive (Wow, what an idea! Zzzzz!); She considers if men can be make-up artistes, then females can be staff too (SUVs only please). So she is part-adventurous, part-feminist without a strategy ('women can do anything a man can do you see'). Thus, when she recognizes a publish of a job of driver (for a high-profile client) to generate his elegant tires, she appeals to the guiding chance. She's questioned by her upcoming manager's Dadaji ( Prem Chopra), who's floored by her courage, mind-set and 'research' ('Did you know, females are engaged in 37% smaller injuries in comparison to men?' Uh huh!); and Dadaji considers that driver-devi is the daredevil who can modify the way his wealthy ruined pota, Arjun ( Vickrant Mahajan), looks at lifestyle - mostly anally! She advances into a self-designed bright consistent (Driver-devi probably neglected that she was generating a car, not an aircraft), with colored kohl-lined sight (they modify daily, related her emotions maybe?) and reviews on job soon enough. Go girl! Meanwhile, Arjun changes out to be an idiosyncratic and egotistic back burner manager (his co-workers contact him 'Terminator' - honk honk!), almost a slave-driver, who acts routinely at periods. The only factor that 'turns him on' is successful a bet. So our diva-driver difficulties him to perform 'driver-driver' for a few days; and he requires it on. They return a few dialogues, convert on the key (by decreasing the air-conditioning in the car, really!), pay attention to some drive-music that he detests; and somehow still drop madly in really like, like co-pilots in a relationship cabin. Chho Chweet! Of course, instantaneously this device gets man (with humanly emotions and system gushing through his system vessels instead of website oil); while 'chauffeurina' gets a gushing feminine lady.

Vickrant Mahajan's first appearance is as blah as Mumbai in optimum visitors, despite all his developer matches, he does not have the personality to take off a high-speed first appearance.
In the route place, this concept could be wittily comical, but it's pierced by uninspiring dialogues, zombie-like movement and speedbreaker-scenes.

Kainaz Motivala is totally regular. Lovely in areas, but missing the spunk to champ her females lib cause. Manoj Pahwa (as her uncle) - with noisy and clichéd Punju actions, entertains; the only one who creates the journey house a tad better.